I enjoyed producing LIGHTBRINGER so much that I decided to go ahead and bring out one of my earlier works as a single. I’ll be releasing WITH HEART TO HEAR soon, just in time for the holidays. It’s an erotic beauty and the beast novlette, set in the late Victorian era.
Seeing a cover take shape is exciting for me. As I mentioned in a previous post, a cover is often the first experience a reader has of your story, so it should give them a clear idea of what your book is about. It doesn’t have to reflect every element, but it shouldn’t mislead them. It should appeal to your audience and make them want to click on it to find out more. (You do know who your audience is, don’t you?)
Rae Monet did this cover for me (as well as the one for VEILED MIRROR). Kim Killion did the cover for LIGHTBRINGER. What I learned from working with Rae and Kim is to be clear and specific in my requests. Artists are busy people and sometimes distracted by other demands. Creation of your cover is more likely to be quick and smooth when you take the time to be careful and specific in describing your vision to the artist.
Here’s what I think is important to designing a cover for online sales:
- The quality: does your cover say “professional”? Does it promise that the story is carefully written and edited?
- The feel: does the cover reflect the kind of story it is?
- A clear focal point: does your eye know where to rest?
- Readable fonts for title and author name when the cover is a small size.
Keep in mind that your artist is a business person. Her time is valuable. At the same time, you have a right to get what you want. Listen to the artist’s advice but make your own decisions. Keep asking for what you want, and express your ideas clearly and courteously. Don’t change your mind half-way through unless you’re willing to pay extra for the artist’s time.